![]() The cascading notes, orgiastically enhanced dances and intoxicating tone paintings (especially one of a sunrise) require the unleashing of a high degree of virtuosity from the performer, such as Ravel had done in his Gaspard de la Nuit. On this CD, Konstantin Lifschitz here plays his own highly ambitious solo piano version of several pieces from Ravel’s work. ![]() ![]() Igor Stravinsky praised the work as “one of the most beautiful products in the entire history of French music.” Maurice Ravel, who can be viewed as a disciple of Debussy and at the same time was an inspiration to the older composer, produced his longest and most complex orchestral work for the “Saisons russes” in 1912: some 60 minutes long, this “choreographic symphony” entitled Daphnis et Chloé was based on an erotic pastoral novel written by the Greek poet Longus in the third century AD. This set joins Debussy’s two books of six études each, completed that same year, as the composer’s very last works for piano. Then in 1915 he re-arranged that version, without changing the essence, but adding refinements to make it more of a virtuoso work for piano solo. In 1914 Debussy arranged six of them for the eminently suitable piano duet formation. The works by these three composers, presented together on this CD, are linked by their treatment of material based on myth and legend, and their use of new musical techniques.ĭebussy’s Six Epigraphes antiques are taken from twelve short pieces composed around 1900 as incidental music for 2 flutes, 2 harps and celesta for the “Chansons de Bilitis”, songs inspired by ancient Greek poems. Many other contemporary composers were also involved in this development, foremost among them Claude Debussy, Maurice Ravel and Igor Stravinsky. The title “Saisons russes” refers to the pioneering aesthetic and musical developments initiated by the famous impresario Sergei Diaghilev and the legendary performances given by his Ballets Russes company in Paris from 1910 onwards. Ravel: Daphnis et Chloé (Fragments symphoniques)Īs with his previous CD releases, in choosing hisĬ 905 162 Aprogramme Konstantin Lifschitz is concerned not just to find an interesting idea linking the works, but also to bring out the impact of new aural versions. Debussy: To give thanks to the morning rain (from Six épigraphes antiques) Debussy: For the Egyptian girl (from Six épigraphes antiques)Ĭ. Debussy: For the dancer with castanets (from Six épigraphes antiques)Ĭ. Debussy: That night might be propitious (from Six épigraphes antiques)Ĭ. Debussy: For a nameless tomb (from Six épigraphes antiques)Ĭ. Debussy: To invoke Pan, god of the summer wind (from Six épigraphes antiques)Ĭ.
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